I was surprised and a little depressed to learn that Robert Ashley has made, like, three or four operas in the last few years, and I was completely unaware of them. Obviously, I haven't been keeping up.
A friend introduced me to Ashley's work when I was in college, and I've been a fan ever since - partly because of the music, but even more because of his use of language. He is truly one of the great manipulators of English. Perfect Lives and Improvement are particular favorites of mine. The best entry point, however, is undoubtably Private Parts (The Record), which is a hushed, mesmerizing recording of what would become the first and last parts of Perfect Lives.
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