It occurred to me after seeing both Three Resurrected Drunkards and Sing a Song of Sex this weekend, that the plots of both revolve around numerical imbalances. The eponymous three drunkards in the first film keep running into problems because there are only two Korean spies trying to switch identities with them, which in the other, the four male students are chasing after three female students (and a fourth who is unattainable.)
I'm sure there is a screenwriting manual somewhere that advises that imbalance is what sets plot in motion, but I've never seen this put into practice to mathematically before. Unless I'm totally wrong.
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1 comment:
This wwas lovely to read
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